Writing

“At the Altar of Her Divine: on Audre Lorde and Tee Corinne,” forthcoming in Lifework, edited by Moran Shelag.
“Reading the Deck with Zora Neale Hurston,” WaterStone Review (nominated for Pushcart Prize).
“Moving the Inconsequential Loop: Somatics, Feminisms,” MQR
“First Revelations: on Virginia Woolf and the Novel-Essay,” Matters of Feminist Practice
“Five Years Before the First Lady Launched Her Be Best Campaign,” Autofocus Lit
“Wellness Check,” Fantastic Floridas, Burrow Press
“Trash Talk,” WHR
“On Kathy Acker: A Desk, A Disease, An Accounting,” LitHub and also in Eat Your Heart Out: The Lifework of Kathy Acker, edited by Valérie Rauzier
“A Healthy Interest in the Lives of Others,” Big Fiction
“Give Away,” St. Petersburg Review
“Carol Krusen Helps a Friend,” The Collagist
Sequence I, from Motherpieces, Diagram
“A New Writing Friend,” The Collagist
“Birdwolf XXXVIII,” Entropy
“William and His Women Friends,” The Collagist
from Maison Femme, Faultline 24
“Basement,” Entropy (from Maison Femme)
Two Rooms, Two Serious Ladies (from Maison Femme)
“Almost Worthy of Such a Wife,” Juked
“Four Dedications, by Type and Narrative, as Suggested in the Photographs of Catherine Lord,” Anomalous Press 11
“Angie Warbler,” NAP 2.9
I Can Feel, chapbook, Insert Blanc Press
“Thinking of You; I Am Sorry; Congratulations; In Sympathy,” Emohippus Greetings Cards, 1-4

“On Autotheory and Autofiction: Staking Genre,” Los Angeles Review of Books
“Impulses Toward a Telepathic Reading of Clarice Lispector’s The Stations of the Body and ‘The Beak of A Bird’ by Amina Cain,’ Reading and Writing Experimental Texts, edited by Robin Silbergleid and Kristina Quynn (essay)
“For What Reason is This Writing: Publisher’s Preface,” TrenchArt Monograph: hurry up please its time
“Mrs. Porters: A history of a women’s art salon in 4 acts, 2004-2013,” Jacket 2
“Loser Art and other Queers,” Something on Paper
“Making as Content: I’ll Drown My Book as Feminist Community,” acts + encounters, eohippus labs
“On Small Press Publishing,” Jacket 2